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Re: The Number sign—now and then—across languages.
The inclination of the glyph (and also the width) is indeed a subtle issue. And also the question of wether and how much the stems should descend from the baseline. As I said, I lean towards an uprig…1 -
Re: The Number sign—now and then—across languages.
I prefer often to have it straight upright in a Regular font, vs. slanted in an Italic. The horizontal bars are basically just horizontal. A horizontal stress is sort of standard, I’d say.This is how…3 -
Re: How do you folks handle quality control?
It can become overwhelming and almost unmanagable with more extended font families. I found it most helpful a) to establish a structured plan of work steps in advance and write them down in a records…6 -
Re: Eau de Garamond — a sans distilled from the essence of Garamond
and yet, the diagonal part of Eszett is still too steep. This is also a matter of balancing the inner space with the adjacent right space (look at ẞS or ẞB). The strong bended terminal (bottom) is to…1 -
Re: How's my pixely Greek?
it is interesting in which parts greek capitals, in an emphasized ductus, depart from the basic principle vertical-strong vs. horiz.-light. Have another look at a traditional Didone Greek and then ex…1
